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For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Robert Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff Shannon

An appreciation for fine art, virtue, and relationships marks this family film set in Europe when Flanders was still Flanders before it was swallowed up by France and Belgium. But parents should be aware that this 95-minute video also features a good dollop of death, beginning with the demise of the hero's mother at the very beginning when he is just a baby. Raised by his impoverished grandfather (Jack Warden), Nello (Jeremy James Kissner) nevertheless finds happiness in the dog he finds left for dead, a neighbor girl who becomes his soul mate, and the talent for drawing he inherits from his mother. He even becomes the protégé of the town's premier painter (Jon Voight). But life holds many bitter lessons for Nello, including the death of his grandfather when he is a teen, betrayal by those he trusts, and his own near-death. Gorgeously shot on location by director and cowriter Kevin Brodie, this movie has many rewards, including, finally, a happy ending. For mature 7-year-olds and up. --Kimberly Heinrichs

This boy-and-his-dog movie, a nonpareil family film, is, as one of the characters so aptly puts it, "a heartbreak waiting to happen." Frankie Muniz, winning over audiences in the TV series Malcolm in the Middle, has competition in My Dog Skip--Skip himself (adorably played by a total of six Jack Russell terriers). Muniz, an inveterate charmer, stars as Willie Morris (from whose memoir the film is adapted), a gawky, awkward boy growing up during World War II under an overly protective father (Kevin Bacon). When his mom (Diane Lane) gives him Skip on his 9th birthday, his life is changed in every way for the better. Previously disinterested peers become pals, and he experiences puppy love with a girl named Rivers (Caitlin Wachs). There are plenty of high jinks and rah-rah touches of Americana, and the film also attempts to deal with sophisticated emotions--Willie's boyhood hero turns out to be less than heroic--but its devastating emotional core comes, simply and obviously, with Skip's eventual aging and demise. Dog lovers will be wiped out; those who don't care for canines shouldn't even be bothering to read this review. (Ages 8 and older) --David Kronke

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Simultaneously elegiac and raw, this uneven--but unforgettable--tearjerker tells the story of Ingemar, a 12-year-old working-class Swedish boy sent to live with his childless aunt and uncle in a country village when his mother falls ill. Beginning with several representations of the most savage, unsentimental domestic intensity imaginable (interplay between a sick parent and loving child has never looked anywhere near as explosive), My Life as a Dog wisely doesn't attempt to maintain that level of danger; rather, the change in locale to rural Sweden is accompanied by a slackening of pace and a whimsical breeziness. Nevertheless, the tragic condition of Ingemar's mother (and later, the indeterminate fate of Sickan, his beloved dog, consigned to a kennel) hovers over the narrative with a gripping portentousness. At times, director Lasse Hallström misplaces the rhythm, and the film threatens to degenerate into a series of rustic vignettes; luckily, Ingemar's relationship with Gunnar, the jocular yet somewhat sinister uncle who essentially adopts him, carries a fascinating charge. In Swedish, with subtitles. This was later rewritten, whether intentionally or not, by Spike Lee, who changed the gender of the child, set the story in New York City, added a 1970s soul soundtrack, and called it Crooklyn. --Miles Bethany

Canines star in each of three adaptations of famous children's books: Gene Zion's Harry the Dirty Dog, Peggy Rathmann's Officer Buckle and Gloria, and Marjorie Flack's Angus and the Ducks. When Harry, a white dog with black spots, runs away at bath time, his playful curiosity soon finds him filthy and longing for his family. Imagine his surprise when his family doesn't recognize this strange black dog with white spots. Gloria, a newly acquired police dog, brings a fresh life and enthusiasm to Officer Buckle's previously monotonous school safety speeches, but when Officer Buckle discovers that he's being out-shone the newfound friendship is threatened. Both Harry the Dirty Dog and Officer Buckle and Gloria are animated presentations that faithfully adhere to the original illustrations. In stark contrast, Angus and the Ducks features real-life photography of a curious young Scottie Dog that goes exploring to see just what's making the funny noise on the other side of the tall green hedge. (Ages 2 to 8) --Tami Horiuchi

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Chevy Chase plays a private eye who is murdered and returns to life as a dog (Benji). The film--a plot reversal of a 1951 Dick Powell comedy called You Never Can Tell--has a dash of Chase- style comedy and a big serving of Benji-flavored cuteness, making for a perfectly fine family movie with a little something for everyone. Jane Seymour is an attractive love interest, Omar Sharif (amazingly) is on board, and former Rowan and Martin's Laugh-In star Alan Sues has a small part. --Tom Keogh

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Simultaneously elegiac and raw, this uneven--but unforgettable--tearjerker tells the story of Ingemar, a 12-year-old working-class Swedish boy sent to live with his childless aunt and uncle in a country village when his mother falls ill. Beginning with several representations of the most savage, unsentimental domestic intensity imaginable (interplay between a sick parent and loving child has never looked anywhere near as explosive), My Life as a Dog wisely doesn't attempt to maintain that level of danger; rather, the change in locale to rural Sweden is accompanied by a slackening of pace and a whimsical breeziness. Nevertheless, the tragic condition of Ingemar's mother (and later, the indeterminate fate of Sickan, his beloved dog, consigned to a kennel) hovers over the narrative with a gripping portentousness. At times, director Lasse Hallström misplaces the rhythm, and the film threatens to degenerate into a series of rustic vignettes; luckily, Ingemar's relationship with Gunnar, the jocular yet somewhat sinister uncle who essentially adopts him, carries a fascinating charge. In Swedish, with subtitles. This was later rewritten, whether intentionally or not, by Spike Lee, who changed the gender of the child, set the story in New York City, added a 1970s soul soundtrack, and called it Crooklyn. --Miles Bethany

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